Except as permitted under the Copyright Act of 1976 and the right to store and retrieve one copy of the work, you may not decompile, disassemble, reverse engineer, reproduce, modify, create derivative works based upon, transmit, distribute, disseminate, sell, publish or sublicense the work or any part of it without McGraw-Hill’s prior consent. Use of this work is subject to these terms. (“McGraw-Hill”) and its licensors reserve all rights in and to the work. TERMS OF USE This is a copyrighted work and The McGraw-Hill Companies, Inc. However, because of the possibility of human or mechanical error by our sources, McGraw-Hill, or others, McGraw-Hill does not guarantee the accuracy, adequacy, or completeness of any information and is not responsible for any errors or omissions or the results obtained from the use of such information. To contact a representative please e-mail us at Information has been obtained by McGraw-Hill from sources believed to be reliable. McGraw-Hill eBooks are available at special quantity discounts to use as premiums and sales promotions, or for use in corporate training programs.
Where such designations appear in this book, they have been printed with initial caps. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. All trademarks are trademarks of their respective owners. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher. New York Chicago San Francisco Lisbon London Madrid Mexico City Milan New Delhi San Juan Seoul Singapore Sydney TorontoĬopyright © 2009 by The McGraw-Hill Companies. He is a member of the American Society of Media Photographers and the Society of Photographic Educators. An active editorial photographer for 30 years, Frank’s work has appeared in numerous publications, including AARP The Magazine, ELLE, Glamour, First for Women, and Ladies Home Journal, along with The Book of Alternative Photographic Processes (by Christopher James, Delmar Cengage Learning, 2008) and Photography for the 21st Century (by Katie Miller, Delmar Cengage Learning, 2006). He holds an MFA in photography from the Maine Media College. Jay is often found climbing the rock walls, biking the trails, or scaling the mountains near his home in Salt Lake City, Utah.Ībout the Technical Editor Frank Varney is the photography chair for The Art Institute of Colorado.
His clients include Olympus, Sony, Adobe, Cabela’s, Vail Resorts, and Pearl Izumi. His presentations focus on digital photography workflows, color management, image optimization, and the future of photography. Jay lectures and presents to businesses and universities internationally. He specializes in helping corporations use their photos efficiently and effectively by streamlining workflow processes and improving employee skills using Adobe Photoshop, Adobe Lightroom and color management. Jay Kinghorn is an Adobe Certified Expert, an Olympus Visionary photographer, and a full-time digital workflow consultant and trainer.
He has hosted workshops in France, Scotland, Spain, the Eastern Shore of Maryland, and Dubois, Wyoming, with future workshops scheduled for Italy and Colorado. Jay Dickman operates his own FirstLight Workshops. He is the recipient of the Goldeneye Award from the World Press Competition, the Sigma Delta Chi Journalist of the Year award, and many other national and international awards.
The wild swans incandescent rar pro#
A member of the Olympus Visionary Educator Program, a Lexar Elite Photographer, and an HP Pro Photographer, Jay has been shooting professionally for more than 35 years. A partial client list also includes TIME magazine, Men’s Journal, Condé Nast Traveler, BusinessWeek, Forbes magazine, Fortune magazine, Sports Illustrated, American Way, and nearly all the “A Day in the Life of…” projects, including America, Soviet Union, China, Italy, Ireland, and Spain. Perfect Digital Photography Second EditionĪbout the Authors Jay Dickman is a Pulitzer Prize–winning photographer who has worked on more than 25 assignments for the National Geographic Society.
0 kommentar(er)
